Kantara Movie Details
Kantara (2022) is a Kannada-language action thriller film that captivated audiences with its gripping narrative and rich cultural references. Directed by and starring Rishab Shetty, the film stands out for its unique portrayal of coastal Karnataka’s folk traditions, particularly the Bhoota Kola ritual, intertwined with intense themes of justice, faith, and tradition.

Plot Overview
Set in a fictional village in coastal Karnataka, Kantara explores the conflict between indigenous beliefs and the state’s modern administration. The story revolves around Shiva (played by Rishab Shetty), a rebellious man from the village who takes part in the traditional Kambala (buffalo race) and Bhoota Kola (spirit dance) rituals. Shiva, a local Kambala champion, finds himself in a bitter feud with Muralidhar (played by Kishore), a forest officer who aims to seize the land that is sacred to the villagers.
The film delves into the complex relationship between the villagers and their land, with a strong emphasis on the deep-rooted spiritual practices that have been passed down for generations. The narrative brings to light themes of land ownership, ancestral legacy, the clash between traditional belief systems and the state’s authority, and the deep connection of people with their surroundings.
As the story progresses, Shiva embarks on a journey of self-discovery, realizing that his destiny is intertwined with the legacy of his ancestors. His fight against the oppressive forces of authority is symbolic of a larger struggle between ancient traditions and modern legal systems.
Key Themes
- Faith and Tradition: Kantara is heavily rooted in South Indian folklore, focusing on the local deity Panjurli, and the Bhoota Kola ritual that is central to the culture of coastal Karnataka. It is a spiritual journey where faith in the deity’s justice becomes a beacon of hope for the villagers.
- Land and Identity: The film brings attention to the concept of sacred land. The villagers’ connection to their ancestral land is portrayed as not just a legal right but a spiritual bond that cannot be easily severed. The land becomes a symbol of their identity, their history, and their future.
- Justice and Conflict: At its core, the film is a struggle for justice. Shiva’s fight is not only against an external authority (the forest officer) but also against the erasure of cultural heritage and the imposition of modernity that threatens his way of life.
- Class and Power Dynamics: The film explores the socio-economic dynamics between the rural villagers and the urban, modern administration. It highlights the power imbalances and the struggles faced by indigenous communities in preserving their traditions and land.
Cast and Crew

- Director & Writer: Rishab Shetty
- Cast:
- Rishab Shetty as Shiva
- Sapthami Gowda as the female lead
- Kishore as Muralidhar, the forest officer
- Achyuth Kumar, Pramod Shetty, and others in supporting roles
- Music: B. Ajaneesh Loknath, whose haunting score adds a mystical layer to the narrative
- Cinematography: Arvind S. Kashyap
- Editing: K. M. Prakash, Shobith Shetty
- Production Company: Hombale Films, known for producing big-budget Kannada hits
Box Office Success
- Kantara was released on 30th September 2022 and became a massive box-office hit. The film grossed approximately ₹450 crore worldwide, making it one of the highest-grossing Kannada films of all time. The movie garnered praise for its narrative, performances, and the effective use of traditional folklore.
- The film’s success was not just in India but also internationally, where it received attention for its unique take on regional folklore and its portrayal of the cultural richness of coastal Karnataka.
- In terms of critical acclaim, Kantara was praised for its immersive storytelling, especially Rishab Shetty’s performance both as the director and lead actor.
Awards and Recognition

- 70th National Film Awards: Rishab Shetty won the Best Actor award, and Kantara bagged the award for Best Popular Film.
- International Film Festival of India (IFFI): The film was featured at the 54th IFFI, where it won the prestigious Silver Peacock – Special Jury Award.
- Kantara’s narrative was lauded for its ability to blend traditional and modern storytelling, making it a major talking point among critics and audiences alike.
Musical Influence
The music in Kantara was composed by B. Ajaneesh Loknath, whose score blends traditional folk melodies with modern cinematic styles. The music not only enhances the emotional depth of the film but also brings the spiritual aspects of the narrative to life, especially during the Bhoota Kola and Kambala scenes.
Cultural Significance
The film highlights the significance of Bhoota Kola, a traditional spirit worship ritual that is largely associated with the coastal areas of Karnataka. The intense depiction of the ritual, where the performer becomes possessed by the spirit of a deity, is central to the film’s cultural narrative. Kantara not only showcases the region’s spiritual practices but also serves as a reminder of how indigenous traditions are often threatened by the forces of modernity.
Prequel: Kantara: Chapter 1 (2025)
A prequel titled Kantara: Chapter 1 was released on 2nd October 2025. The prequel dives deeper into the origins of the Bhoota Kola ritual and explores the historical roots of the conflicts seen in Kantara. It focuses on the events that set the stage for the primary storyline of the original film.


- Cast: The prequel features Rishab Shetty, Jayaram, Rukmini Vasanth, and Gulshan Devaiah.
- Reception: Like its predecessor, Kantara: Chapter 1 received a positive reception, with critics praising the film’s ability to maintain the tension and cultural authenticity of the original.
Legacy of Kantara
The success of Kantara has brought regional Kannada cinema into the limelight, proving that films rooted in folklore and regional stories can achieve widespread recognition. It has sparked a renewed interest in Kannada cinema, with audiences and filmmakers now looking to explore more such stories rooted in indigenous traditions.
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